Quilt Con show, and with a few hours to spare, no less.
It was not without its challenges. This quilt fought me tooth and nail into existence. First of all, piecing it was a BEAST. I knew extreme accuracy was going to be crucial, so I paper-pieced some of the small units, but when it came time to do the traditional piecing, it was still tough to get all those seams and points lined up. I didn't count the number of times I had to tear out stitches and re-do, but I can assure you it was a lot. The top took forever!
Then, I started quilting it by outlining the vertical wavy pattern the design makes between the stars. But straight-line quilting isn't my strong suit, and this type of quilting was kind of straight-line plus. Straight enough to require a walking foot, but with some turns that were so slight, it was hard to decide whether to turn as sharply as possible or to make it more curvy and flowing. And it ended up looking like a mish-mash of both. : ) So after four rows, I decided to change strategies and do loose wavy lines instead. That meant all the previous quilting stitches had to come out. You should have seen my family room yesterday. It was seriously covered in all these tiny little pieces of thread! Ugh!
This was my first real spray-basting fail. For some reason the 505 I use just didn't seem all that sticky this time around. After basting, I noticed I didn't have to clean up nearly as much overspray residue as I usually do—I guess that should have been a warning sign. Then the whole back of the quilt seemed to come loose during quilting. It's totally weird, I've never had that happen with 505. Maybe I didn't shake the can enough? It was a new can, so I hope the entire thing isn't defective. Or worse yet, that there's been some sort of formula change. Anybody have a similar problem with 505 lately?
(Updated to add: I just heard from my friend Katie at Swim Bike Quilt that she often has basting problems with Art Gallery fabric—and that is exactly what I used on the back of this quilt. Ironically, I think it's the fact that Art Gallery is so high-quality and has such a nice sheen to it that accounts for this problem—spray-basting doesn't work on voiles either, probably for the same reason. But at any rate, if you're using a lot of Art Gallery fabric in a quilt, be aware that you may want to pin-baste.)
So I ripped out 5 more rows of quilting and re-did it all, and finally finished the quilt with no further incidents at around 3 p.m. Whew. So here it is—I'm calling it Modern Mirage. I entered it in the "Modern Traditionalism" category, which is the category I was most excited to see included in the show.
The design originally started with a variation on a traditional star block. I set that on point and liked the vaguely "Storm at Sea" feel it gave to the quilt. To modernize it, I gave the design some negative space on each side, but off-center (because I love me some off-center designs!). Then, when I was playing around with the colors, I came up with this palette, which gives it sort of a transparency effect, and I loved it! And I thought the wavy line quilting added sort of a "heat-haze" feeling, so that's where the "Mirage" name came from.
For those who have asked about a pattern—um, we'll see. : ) I have to admit, I'm a little sick of this design at the moment! It would be quite the complicated pattern to write up, with all the strategic color placement and what-not. And I don't know how many people want to buy a pattern with such nit-picky piecing! But give me a few months, and then maybe I'll want to revisit it.
As far as Quilt Con, since we were allowed up to three entries, I decided to throw two older quilts into the mix as well.
I'm now calling this one "Shattered Spectrum," since "HST Mini" didn't quite have that show ring to it. I entered it in the Modern In Miniature Challenge sponsored by Modern Quilts Unlimited magazine. I gave this little quilt to the lovely Susanne earlier this year as a thank-you for driving all the way from Madison to take my headshots and pictures of my family. But she was nice enough to give me permission to enter it and said she would ship it back to me if it gets accepted into the show. Thanks again, Susanne! Here's the full blog post about this quilt.
And I'm also entering my Lifesavers mini, since that one did so well for me in the EZ Dresden Challenge. I entered Lifesavers in the "Minimalist Design" category. Honestly, I'm not sure if it really qualifies as minimalist, but since I'd already entered something in the mini challenge, it seemed like the best fit for this one. Here's the full blog post with more information on Lifesavers.
I was quilter #435 to enter the show, and my quilts were #587, #595, and lucky number #600! Wow! That's a lot of competition for this show. I'm just hoping that at least one of mine gets accepted, and I cannot wait to see the entire show in Austin in February. Good luck to everybody who entered!