Monday, April 30, 2012

A Chevron Tote

I did it! I made another bag! This one is for my wonderful friend Lisa—it was part birthday gift and part thank-you gift for a recent babysitting favor.

If you've been reading this blog for a while, you know that I've never been much for sewing three-dimensional items. If it doesn't lie as flat as a quilt, it scares me. But sewing more non-quilty items was one of my goals for 2012. Also, I've been dying to make a bag out of this yellow chevron fabric ever since I saw these Vera totes that Katie made. So I'm really excited that I finished this bag, and that it turned out so cute!

I used Betz White's Isabella Tote pattern (available here or here—I love that the pattern includes an option to make this bag out of a repurposed pillowcase). I wanted my bag to be more structured, so I added the optional interfacing, even though I was already using a heavier upholstery-weight fabric. I also did the optional Timtex-interfaced panel in the bottom of the bag. I would have liked to add a pocket on the inside and maybe a magnetic snap closure, but I ran out of time! (Because, as usual, making this bag was a total last-minute decision.)

The only thing I didn't like about the Isabella pattern is that, because of the way it's constructed, it isn't possible to line the bag in a different print. I would have liked a touch of contrast on the inside. But it's that same construction method that makes it such an easy bag to put together (and makes it possible to use a pillowcase), so I guess I can't complain about it too much.

Anyway, my friend loves it. In fact, she posted it on Facebook and I had several requests from her FB friends to make bags for them as well! What a nice compliment. But I think Lisa's tote will have to remain one-of-a-kind for a while (well, three-of-a-kind, counting Katie's inspirational bags), because I think I need to go back to nice flat quilts now. : )

P.S. The upholstery-weight yellow chevron fabric I used is on sale herefor $7.21 per yard for 54" wide cuts! What a deal! They have other colors as well.

Wednesday, April 25, 2012

WIP Wednesday: To the Point

It's after midnight on Wednesday, my brain's a little fogged, and I can't think of anything to say other than that it's Wednesday. So let's just get right to it, shall we? : )

New York Beauty block
Completed projects:
New York Beauty table runner - It's here, in case you missed it.

New projects:
Cathedral Square quilt. I got some happy mail yesterday: My copies of Quiltmaker magazine's "100 Blocks" special issue arrived. Not only do I have a block in this issue ...

... they put my name on the cover! I definitely had a "holy crap" moment when I pulled my copies out of the package. I knew it was going to be on there, but it was fun to see it in person.

Cutting my FMF!
Anyway, I'm doing Quiltmaker's "100 Blocks" blog hop next week, so I decided a new quilt with my block would be the perfect opportunity to get my Flea Market Fancy fix. Hopefully I'll finish it in time! (And yes, there will be giveaways galore, so be sure to come back for the hop!)

Back-Burner:
• Gen X Quilters' Charmed Prints QA
• Halloween quilt
• Farmer's Wife QA
• Figgy Pudding quilt

This week's stats:
Completed projects - 1
New projects - 1
Currently in progress - 6

You know the drill—link up any post from the past week featuring a work in progress. Then comment, comment, comment. Have a wonderful week!


Monday, April 23, 2012

New York Beauty Quilt-Along: Block 4

 

Welcome to Week #8 of the New York Beauty Quilt-Along. I'm going to take you through Block 4 today. Visit Sara at Sew Sweetness to see all of the previous blocks and more details on the QA.

Block 4 is a fun one—there isn't as much paper-piecing involved as in other blocks, but there are plenty of curves to sew! 

Pattern:
Click here to download the block pattern. If you want to make the complete circle, you'll need 4 printouts (of the paper-pieced section, at least). Be sure to print the pattern at 100% size, no scaling! Check the 1-inch marker on the pattern to make sure you've printed it at the correct size.

Fabric requirements: 
(all sizes listed below assume my freezer-paper templating method described below)

Center circle (I used white)
1 block: 3" square
4 blocks (to make a complete circle): 6" square

Inner ring (hot pink with green polka dots)
1 block: 3" x 6.5"
4 blocks: 10" x 6.5"

Outer ring (hot pink with smaller white dots)
1 block: 5" x 13"
4 blocks: 16" x 13"

Background (green rings)
1 block: 9" square
4 blocks: 18.5" square

Rays, color 1 (lime green)
1 block: (4) 1.5" x 3.5"
4 blocks: (16) 1.5" x 3.5"

Rays, color 2 (darker green)
1 block: (4) 1.5" x 3.5"
4 blocks: (16) 1.5" x 3.5"

Background for rays (aqua polka dot)
1 block: (3) 3" x 3.5", (2) 2" x 3.5"
4 blocks: (12) 3" x 3.5", (8) 2" x 3.5"

Since we've already had some great paper-piecing tutorials by Kim, Sara, Jeni, Katy, and others, I'm just going to give you a few of my own tips, especially when it comes to curves (although I am by no means a curve-sewing expert!)

First up: Templates. Accurate curve piecing starts with accurate fabric cutting, and freezer paper is now my preferred method for templating in many cases. So I traced all of the non-paper-pieced sections onto the dull side of a sheet of freezer paper. (I'm making four blocks for the complete New York Beauty circle, so I traced each section four times onto the freezer paper.)

Before you do any cutting, press the freezer paper, shiny side down, onto your fabric to adhere it. Then just cut on the lines (you can use your ruler and rotary cutter on the straight lines if you prefer). Voila! Perfectly perfect pieces with minimum effort.

And here's how I got perfect straight-grain background pieces. Fold your 18.5" square in half on the diagonal, as shown, and press. It's important here that you start with a piece that is exactly square, and that all edges are aligned when you fold it in half. (If you only have a fat-quarter or a half-yard of fabric, you might be able to make do with an 18" square—in fact, that's what mine is here. A few corners got chopped off, but nothing that didn't end up hidden in the seam allowances.)

Next, tear off a piece of freezer paper at least 18" long. Place your freezer paper over the background piece, lining up the natural straight edge of the freezer paper with the angled inner seam line, as shown. Then trace around the other three sides of the shape (making sure to trace the outer line, not the inner line). You don't need to worry about the other half of the background section. If you're making a full ring, trace four copies of the background piece in the same way, making sure the pieces are as close together as possible along the edge of the freezer paper. Mine were actually touching at their widest points.

Once your shapes have been traced, press the freezer paper onto your folded background fabric. Line up the edge of the freezer paper (which serves as the angled edges of your shapes) with the fold, and cut through both layers of fabric.

Ta-da! Unfold the cut-out shape, and you have perfect straight-of-grain background pieces. This was important for me, because I wanted the print I was using to be straight and square. And you even end up with a crease right in the middle of the section, which is helpful when we piece the curves later.

Now go ahead and paper-piece your ray sections, using all the great tips that we've learned in the past 7 weeks. 

My one tip here involves trimming the excess after sewing a seam. To save time, I don't worry about flipping back the paper and rotary-cutting the excess, the way many tutorials show. That involves getting up from my chair and walking to my cutting board—that's far too much work and effort! I bring my scissors and a wastebasket to my sewing machine and just snip off the excess after each seam. I just eyeball the quarter-inch seam allowance—even if it's not exactly 1/4", it's always close enough, and I've never had any problems with less-than-precise seam allowances.

Once you're done with the paper-pieced sections, it's time to piece the curves. I fold each section in half and finger-press to mark the center. I put one pin at the center of the seam I'm about to sew, and another pin at each end. Then I pin the rest of the seam, working from the center out.

And there you have it—one cheerful, sunny New York Beauty block.

If you make four of these blocks, you'll have a complete 16"-square New York Beauty, perfect for a mini quilt or a pillow. I took my block and added it to the two others I made previously, and ended up with a fun springtime table runner. (I had originally planned to make a full-size quilt, but these three just begged to be a runner!) 

I took my cue on the quilting from Kati's stunning New York Beauty mini. This runner will make great table décor in future years for Easter and my youngest daughter's birthday (she turned 3 yesterday!). It's made in Laurie Wisbrun's delightful Modern Whimsy collection, plus various bright stash prints.

I think that does it for Block 4. Now go make one of your own! And come back next week, when Amy of amylouwho will be taking us through Block 2.

Wednesday, April 18, 2012

WIP Wednesday: Stopping and Going


So here we are at Wednesday again, and I don't have a whole lot to show for it this week. I finished my Going Coastal quilt last Wednesday night, then was too busy to sew for the rest of the week. But as of yesterday, I'm off and running again ...

Scrappy Triangles
Completed Projects: 
Going Coastal - all done! More details here.

Back-Burner:
• New York Beauty QA
• Gen X Quilters' Charmed Prints QA
• Halloween quilt
• Farmer's Wife QA
• Figgy Pudding quilt

This week's stats:
Completed projects - 1
New projects - 0
Currently in progress - 6

Yep, you know the drill! Link up any post from the past week featuring a work in progress. Then comment, comment, comment. Have a wonderful week!

Monday, April 16, 2012

Going Coastal Quilt Complete

Scrappy Triangles
When I saw Emily Herrick's Going Coastal fabric line, I knew I had to make a quilt out of it for my dad, who is obsessed with beaches, Lake Michigan, and all things nautical. And when I saw the Scrappy Triangles tutorial from Ashley of Film In the Fridge, I knew I had to make it out of Going Coastal. And so this quilt was born!

Truth be told, I had this stack of fabric for a long time before I was able to get to this project. I wanted to make it as a Christmas gift, but sadly I just didn't have time around the holidays. So when my dad offered to drop everything and drive four hours to babysit the girls for several days while the hubs and I went to Arizona, I knew this quilt's time had come! It would make the perfect thank-you gift.

Scrappy Triangles
The scrappy triangle blocks came together quickly and easily thanks to Ashley's tutorial. And there are absolutely no seams to match up, making this a fun, low-stress project—gotta have one of those every once in a while! This is a relatively small block (6.5" by 9" after trimming), and I needed 84 of them to get the size I wanted, so I strip-pieced them. I sewed together strip sets that were about 12.5" long, allowing me to cut three triangles from each set—two triangles facing one direction and one triangle facing the other direction. I really churned these out using that method!

Scrappy Triangles
I added a few stash prints to my triangles, to round out the Going Coastal prints. You can spot a few Multi Pez prints in there, and I added some red stash prints as well—I wanted a lot of red, to keep the nautical theme going. The background is Free Spirit Solid Arctic White, and I did a scrappy binding using mostly GC scraps. I don't often do scrappy bindings, but this quilt seemed to call for one.

Scrappy Triangles
For the back, I used my favorite Going Coastal prints: The bottle caps and the madras plaid. I'm not usually that big on novelty prints, but you have to love these, right? Every once in a while, there's a fabric collection that really transports me to a particular time and/or place, and Going Coastal is one of those collections. Some of these prints may not be the most versatile stash prints, but every time I look at this line, I can practically smell the salt air. I love it when fabric design can do something like that.

So, I'm totally picturing this quilt spread out on a sandy beach, with a frosty bucket of Coronas sweating nearby. Hopefully it will get to do that someday. : ) I know they are planning to take it to their sailboat this summer, which is kinda perfect too. Enjoy, Dad!

Wednesday, April 11, 2012

WIP Wednesday: In High Gear


It's been an action-packed week around here. Easter, baseball opening day, spring break for the kids—there was something for everybody this week. The dog even went in to have her teeth cleaned (that's about as exciting as it gets for her these days). But I managed to sneak in a little sewing time as well.

Ongoing Projects: 

Back of Going Coastal quilt
Going Coastal - on the sewing front, this project right here was basically my entire week. And I can't show it to you just yet. But I'm almost done quilting it, and I'm eager to finish it off. I should be able to post it within a few days of finishing it up.

Back-Burner:
• New York Beauty QA
• Gen X Quilters' Charmed Prints QA
• Halloween quilt
• Farmer's Wife QA
• Figgy Pudding quilt

This week's stats:
Completed projects - 0
New projects - 0
Currently in progress

So, you know the drill: Link up any post from the past week featuring a work in progress. Then comment, comment, comment. Have a wonderful week!

P.S. The winners of Monday's pay-it-forward giveaway are Patti of Retired to Quilt and Taryn of From Pixels to Patchwork. I'm looking forward to making something for you ladies! Thank you to everyone who expressed an interest! : )

Tuesday, April 10, 2012

Sewing Summit


I'm so excited to share some big news with you this morning: I'm teaching at Sewing Summit 2012! I've been sitting on this secret for months now, so it feels good to finally spill it. Elizabeth and I are going to be team-teaching a class on foundation paper-piecing!

Oregon Star 4x5 block
A foundation-pieced block I made for the 4x5 Modern Quilt Bee

If you've been reading this blog for a while, you know how much I love foundation piecing. It opens up so many design possibilities that can't be achieved any other way, and it helps you really nail the accuracy on even the most elaborate blocks. I know a lot of people are intimidated by foundation piecing, and it is a very different approach if you're used to the standard methods. But there's nothing like a real-time hands-on class when it comes to learning a skill like this, so I'm really looking forward to this classroom opportunity and working with each and every one of you that signs up!

And of course, this means I am also attending Sewing Summit! There are many other classes that look wonderful, and I'm hoping to attend some of them when I'm not on duty in my own sessions. And I am so very excited to see some familiar friendly faces from last year, as well as many new ones. Is it October yet? : )

Unfortunately, Sewing Summit 2012 registration is already sold out! But there is a wait list, in case more tickets become available later. Click here for more information.

Monday, April 9, 2012

Paying It Forward

About a year ago now (and I can hardly believe it's been that long already) I participated in a pay-it-forward giveaway with Hollie from The Undercover Crafter. The rules were simple: She had one year to make me a handmade gift. All I had to do was agree to pay-it-forward to someone else within one year myself. Well, I got Hollie's lovely gifts a few weeks ago—that's right, she didn't send just one thing, but three!

Think maybe she's noticed how much I love the x-and-plus block? : ) This fun little potholder (featuring two of my favorite hard-to-find lines, Park Slope by Erin McMorris and Deer Valley by Joel Dewberry) has already gotten lots of use around the kitchen.

 And this dish towel trimmed with Ruby Star Rising is really brightening up the place as well!

And finally, she sent me this gorgeous linen shadow-dot-print cowl! It's incredible—it looks so fabulous with my red peacoat. Sadly, it's been such a warm spring I haven't had much chance to wear it yet, but never fear, it's Wisconsin. There will be plenty of opportunities forthcoming.

Thank you so, so much, Hollie! What a fun surprise to open my mailbox and find your thoughtful, beautiful gifts.

And now of course, this means it's my turn to pay it forward. If you'd like to participate and receive a handmade item from me, just leave a comment on this post. I'll choose two random winners tomorrow morning. The winners only have to agree to pay it forward to someone else in turn. And again, I have one year to make my pay-it-forward items. I can't stress this enough. Expect me to use the full year, because that's just how I roll. LOL.

Have a wonderful week!

Wednesday, April 4, 2012

WIP Wednesday: Onward


Happy Wednesday! After last week's whole lotta nothing, I was nicely productive this week.

Completed Projects: 


March bee blocks - see my post here.

4x5 bee blocks - Finished these earlier today, although I haven't had a chance to take pictures of the finished blocks yet.

Back-Burner:
• New York Beauty QA
• Going Coastal
• Gen X Quilters' Charmed Prints QA
• Halloween quilt
• Farmer's Wife QA
• Figgy Pudding quilt

This week's stats:
Completed projects - 2
New projects - 0
Currently in progress - 7

Okay, you all know how this works: Link up any post from the past week featuring a work-in-progress. Link back here and give your other linkers some comment love. Have a great week!